„The Ambiguity of (Media-)Technology – and how to deal with it“: Expert-table @ the „Datafication of the Public Sphere“-Symposium (AIL, Vienna)

I have recently been invited to participate in an expert-table format at the symposium „The datafication of the public sphere“, which was held from May 7th – 10th, @ Angewandte Innovation Lab (AIL), The University of Applied Arts Vienna.

Essentially, the symposium – which was an inspiring and exciting event – was generally elaborating on the everyday use of smartphones from a rather artistic-scientific angle, I would say. It was great having been together in a panel with Ingrid Fischer-Schreiber and my college Leonida Mutuku from iHub Nairobi.

The expert-table starts with an introduction of all three speakers. Leonida Mutuku opens the round with a talk on the ICT-scene in Kenya (00:05:50 – 00:23:00) followed by Ingrid Fischer-Schreiber with insights into the latest (mobile)media-devleopments in China (00:24:00 – 00:59:00). Is is then my turn to speak about the ambiguities that are inherent in (media-)technology and how to deal with those from a perspective of media pedagogy and media ethics (00:59:15 – 01:14:30). The session is followed by a discussion of about half an hour.

You may download the paper of my talk here

 

Bastard CROWD [mobile] Expert-talks: Leonida Mutuku, Ingrid Fischer-Schreiber, Michael Waltinger from Angewandte Innovation Lab on Vimeo.

Expert-talks:

Leonida Mutuku,
Ingrid Fischer-Schreiber,
Michael Waltinger.

Bastard CROWD [mobile] The performative installation bastardCROWD[mobile] of choreographer and performer Daniel Aschwanden and media artist Conny Zenk, uses the text “Bastard Culture” by media theorist Mirko Schäfer as a starting point for investigating and questioning the everyday use of smartphones.

The “Selfie”-culture is only one phenomenon in the context of virally spreading digital communication devices. Aschwanden/Zenk, having performed artistic interventions in Beijing, Accra, Addis Ababa and Vienna, emphasize the global phenomenon of superposition of traditional forms of communication through new interface cultures.

The symposium “The datafication of the public sphere” examines the implications of a rapidly increasing digitalization of society and questions the limits of participation. It also asks for options how to embrace and learn about technologies when it comes to monitoring, controlling and exploiting.
08.05.2015

http://www.ailab.at

Video: Edward Chapon

Soon: Conference-participation „The Datafication of the Public Sphere“ investigating the everyday uses of smartphones

bastardCROWD [mobile]_pogramme overview

Are you interested in artistic-scientific explorations on the everyday use of smartphones? Come to the „The datafication of the public sphere“-symposium, May 7th – 10th, @ Angewandte Innovation Lab (AIL), The University of Applied Arts Vienna. I will be there, talking about the ambiguities of media and technology. I will share the paper on this blog here, afterwards.
See you there!

What? 

The performative installation bastardCROWD[mobile] of choreographer and performer Daniel Aschwanden and media artist Conny Zenk, uses the text „Bastard Culture“ by media theorist Mirko Schäfer as a starting point for investigating and questioning the everyday use of smartphones.

The „Selfie“-culture is only one phenomenon in the context of virally spreading digital communication devices. Aschwanden/Zenk, having performed artistic interventions in Beijing, Accra, Addis Ababa and Vienna, emphasize the global phenomenon of superposition of traditional forms of communication through new interface cultures.

The symposium „The datafication of the public sphere“ examines the implications of a rapidly increasing digitalization of society and questions the limits of participation. It also asks for optios how to embrace and learn about technologies when it comes to monitoring, controlling and exploiting.

Programme:

Thursday, 7 May 2015

19:00 Opening

19:30 Keynote by Mirko Tobias Schäfer

21:00 Performance: Daniel Aschwanden, Conny Zenk, Veronika Mayer

Friday, 8 May 2015

10:00-13:00 Masterclass Mirko Tobias Schäfer

14:00-16:00 Expert-talks: Leonida Mutuku, Ingrid Fischer-Schreiber, Michael Waltinger

16:30-18:30 Expert-talks: Philipp Ehmann, Wolfgang Fiel, Matthias Tarasiewicz, Stefanie Wuschitz

19:30-20:30 Performance: bastardCROWD[mobile] Daniel Aschwanden, Conny Zenk, Veronika Mayer, Raphael Michon, Indira Nunez, Nici Rutrecht

20:30-24:00 DJ sound chill-out: David Scheidl

Saturday, 9 May 2015

10:00-13:00 Workshop masterclass: Mirko Tobias Schäfer

14:00-15:00 Lecture: Konrad Becker

15:00-16:00 Expert-talks: Bogomir Doringer, Pinar Yoldas

16:15-17:15 Lecture: Thomas Ballhausen, 17:15-19:15 Expert-talks: Boyan Manchev, Andreas Spiegl

Sunday, 10 May 2015

11:00-17:00 Workshop 1: Making Artistic Technology #2: studio praxistext: playful technologies

Where? 

ANGEWANDTE INNOVATION LABORATORY (AIL)
FRANZ JOSEFS KAI  3
1010 VIENNA, AUSTRIA

The University of Applied Arts Vienna presents the Angewandte Innovation Lab (AIL) , an ambitious project whose goal is to facilitate an exchange between various disciplines such as art, design, economy, science, and technology.

Links:

Symposium: The Datafication of the Public Sphere
Bastard CROWD [mobile]
bastardCROWD [mobile] (Facebook-Event)

„Way Out“ – an artistic reflection on (mobile) digital life

Way Out from Yukai Du on Vimeo.

‘Way out’, an MA graduation film, is inspired by ‘Alone Together’ by Sherry Turkle and a reflection of modern life in this digital age. The exaggerated contrast between emotionless citizens and characterized phones reveals our over-­‐dependence on virtual communication. A dramatic and extreme consequence shows a negative attitude, for which no one can escape the trend of technology that originally comes from the endless appetence of human beings.

Please visit http://www.yukaidu.com/Way-Out-Animation to know more about the project.

Ofodile by Chimamanda Adichie

Commonwealth Lecture 2012. "Connecting Cultures" by author Chimamanda Ngozi Adichie
Photo credit: Commonwealth Foundation/Colin Patterson 2012

Just before christmas, The Guardian in its series „christmas ghost stories“ has released a wonderful short story by Chimamanda Ngozi Adichie, called „Ofodile“ – read it here. It is, in short, about an either ever crying or sleeping male child and how his mother deals with him. I would say it is, as usually, an absolutely amazing piece of Adichies writing, however pretty terrifying and also somewhat disturbing. It is also very much open to interpretation, I think. One of the story’s most interesting aspects to me were the weird feelings and the thereby caused scratching of limbs and face that were imposed on anyone entering Ofodiles room – except for his sister in the end. Are these ‚ghosts‘ the bad conscience, pouncing on the mother for giving her son sedatives that she declared as vitamins? And: did the father have notice of that?

Kenya & Uganda Arts Diaries 2014

Kenya Arts Diary 2014                    Uganda Arts Diary 2014

On the lookout for a new calendar for 2014? Then this might be just for you: the beautiful Kenyan and Ugandan Arts diaries. While the Kenya arts diary exists since 2011 and is in its 4th edition now, the Ugandan version makes its debut this year. The aim of both projects is, amongst others, to offer an alternative to tourist tailored ‚african cultural products‘. Support East African art and contemporary popular culture!

How to get ‚em?

Kenyan arts diary (160 pages, all-colour, more than 60 artists featured, 1.850 KES = about 15 €): „To order for your copy, please email info@kenyabuzz.com or call [+254] 0770 314554/ 0773 809556. Free delivery within Nairobi“ (Source and more information on Kenyabuzz.com, Businessdailyafrica.com). The calendar is also on sale on local major book shops, galleries and art centers. Overseas Kenyan art lovers may also contact kenyaartsdiary@gmail.com for details (Source). They do also have a Facebook Page for the 2013 edition – the 2014 edition’s page was not yet on Facebook by the time of the post.

Ugandan arts diary (more than 50 artists featured, about 10 €): „Available in town [Kampala] at Aristoc, Kampala Road; 1000 Cups, Buganda Road; Cafe Kawa, Colville Street; Aristoc, Garden City; and Maridadi, Nakumatt Oasis. In Kamwokya at Afriart, Umoja, Good Glass, and Endiro, Kisementi. In Muyenga at Cafe Kawa. In Bugalobi at 49 Cheese & Wine. In Lubowa at the bookshop and craft shop in Quality Mall“ (Source and more information on their Facebook page, DW.de or independent.co.ug.